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The Collectors' Gallery of Art
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Cameron Lee Roberts
 (1957-2022) (September 15 – October 1, 2022)
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James Lutzko

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James Lutzko Open image in lightbox: James Lutzko - Rail Yard, oil on canvas board - 8" x 10", framed SOLD Open image in lightbox: James Lutzko - Rail Yard, oil on canvas board - 8" x 10", framed SOLD
James Lutzko Open image in lightbox: James Lutzko - On Track, Acrylic on canvas - 30" x 40", framed $1,750 Open image in lightbox: James Lutzko - On Track, Acrylic on canvas - 30" x 40", framed $1,750
James Lutzko Open image in lightbox: James Lutzko - Carseland Crossing, acrylic on canvas - 18" x 24", framed $ 1,050 Open image in lightbox: James Lutzko - Carseland Crossing, acrylic on canvas - 18" x 24", framed $ 1,050
James Luzko Open image in lightbox: James Lutzko - Carseland Crossing 2 - Acrylic on board - 36" x 60" $ 2,990 framed Open image in lightbox: James Lutzko - Carseland Crossing 2 - Acrylic on board - 36" x 60" $ 2,990 framed
Jame Lutzko Open image in lightbox: Jame Lutzko -Shonts Grain Elevator, oil on canvas board - 12" x 9" $ 420 framed Open image in lightbox: Jame Lutzko -Shonts Grain Elevator, oil on canvas board - 12" x 9" $ 420 framed
James Lutzko Open image in lightbox: James Lutzko - Alyth Train Yard # 2, oil on canvas board - 11" x 14", framed $ 450 Open image in lightbox: James Lutzko - Alyth Train Yard # 2, oil on canvas board - 11" x 14", framed $ 450
James Lutzko Open image in lightbox: James Lutzko - Divided Towers,oil on canvas board - 8" x 10" $ 310 Open image in lightbox: James Lutzko - Divided Towers,oil on canvas board - 8" x 10" $ 310
James Lutzko Open image in lightbox: James Lutzko - Bad Banana, acrylic on canvas - 48" x 48", unframed $ 3,200 Open image in lightbox: James Lutzko - Bad Banana, acrylic on canvas - 48" x 48", unframed $ 3,200
James Lutzko: “Yeehaw”, 36” x 36” acrylic, unframed, $3,600.00 Open image in lightbox: James Lutzko - Yeehaw, 36” x 36” acrylic on canvas, unframed $3,600 Open image in lightbox: James Lutzko - Yeehaw, 36” x 36” acrylic on canvas, unframed $3,600
James Lutzko: “Taking A Bow”, 36" x 36” acrylic, unframed, $3,600.00 Open image in lightbox: James Lutzko - Taking A Bow, acrylic on canvas 36" x 36”, unframed, $3,600 Open image in lightbox: James Lutzko - Taking A Bow, acrylic on canvas 36" x 36”, unframed, $3,600
James Lutzko: “Running Out Of Time”, 30” x 48”, acrylic, unframed, $3,120.00 Open image in lightbox: James Lutzko - Running Out Of Time, 30” x 48”, acrylic on canvas, unframed, $3,120 Open image in lightbox: James Lutzko - Running Out Of Time, 30” x 48”, acrylic on canvas, unframed, $3,120
James Lutzko: “All Colours Matter”, 36” x 48” acrylic, unframed, $3,360.00 Open image in lightbox: James Lutzko - All Colours Matter, 36” x 48” acrylic on canvas, unframed, $3,360 Open image in lightbox: James Lutzko - All Colours Matter, 36” x 48” acrylic on canvas, unframed, $3,360
James Lutzko Open image in lightbox: James Lutzko - Passing Time, oil on canvas board - 11" x 14" framed $ 450 Open image in lightbox: James Lutzko - Passing Time, oil on canvas board - 11" x 14" framed $ 450
James Lutzko Open image in lightbox: James Lutzko - Hail Mossleigh, oil on canvas board - 14" x 18" framed $ 750 Open image in lightbox: James Lutzko - Hail Mossleigh, oil on canvas board - 14" x 18" framed $ 750
James Lutzko

Artist Statement

The world of art is in constant dialogue that spans centuries and epochs. Every artist rises on the shoulders of those before him, and drawing from the experience of others is a common thread. Having been introduced to the Spatial Concept movement and the work of its founder, Lucio Fontana, I embarked on a new series of paintings that carried the same pictorial message. The rigorous synthesis at the root of this style encompasses the entire spectrum of painting: colour, space, movement, time… This process gives birth to a unique visual landscape, at once abstract and expressive. While the Spatial movement itself was born of the post-war era and in many ways reflected its Zeitgeist, my creative exploration has more to do with plasticity and material/medium. The process is also extended into time, unlike Fontana’s dramatic cuts and punctures. I have been working on a craquelure technique that allows me to breathe life into the canvas in the form of small cracks and fissures that move across it in an almost organic manner. It’s a daily process, and purely intuitive. The moment when the painting is done arrives at its own bidding, the harmony makes itself present, and the composition is complete. The work is set, as it were, with an epoxy coating, adding yet another element to the surface. The varnish acts as a protective layer, cast over the hallowed space and the life pulsating in the crevices. The final result varies from painting to painting, and depends as much on the colour as it does on the texture that carries the narrative. In my monochromatic pieces, the choice of colour imbues the work with instant visual vocabulary, but the story hides in myriad tiny cracks that meander across the canvas. The colour undulates with the fissures as they mass together or disperses. In other works, colours create layers that appear through the cracks, adding a three-dimensional aspect to the composition. These abstracted fields of colour and texture carry a pictorial message that is transformed into an emotional landscape by the alchemy of the creative process.

Other Artists that might interest you

Dale Kirschenman

Gordon Galenza

Jean Geddes

Neville Clarke

Colleen O’Brien

Dennis Way

Elaine Brewer-White

Mandy Johnston

Linda Key-Bentley

Susan Kristoferson

Blake Ward

Beth Pederson

Contact

Address:
1332 – 9th Ave. S.E.
Calgary, Alberta
T2G 0T3

Phone:
403-245-8300

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Sun: 12:30 pm – 4:30 pm

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